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MS-124 Suzanne Clauser Papers
INTRODUCTION
Writer Suzanne Clauser donated her papers to the Wright State
University Department of Archives and Special Collections in May 1981 and
made two later additions. The collection dates from 1961 through 1993. It
is arranged into 6 series as follows:
- Series 1: Early Work
- Series 2: BONANZA Material
- Series 3: A GIRL NAMED SOONER Novel and Screenplay
- Series 4: Television Screenplays
- Series 5: General Correspondence
- Series 6: Miscellaneous Material
Written permission from Mrs. Clauser is required for any publication
or quotation from the material in this collection.
BIOGRAPHICAL SKETCH
Suzanne Phillips Clauser was born in 1929 and grew up in a suburb near
New York City. She attended Indiana University and was graduated in 1951
with a degree in American and British literature. In the same year, she
married Charles Clauser, a graduate student finishing a Ph.D. in physical
anthropology. In 1954 her husband was awarded a Fulbright Grant and the
Clausers spent ten months in Burma and Rangoon. Eventually, the Clausers
settled in Yellow Springs, Ohio, and in the early 1960's, Mrs. Clauser
drew on her Asian experiences for her first successful writing effort, a
travel reminiscence of India published in Blackwood's, a British literary
journal.
After being published in Blackwood's, Mrs. Clauser began to write
scripts for the BONANZA television series. Rod Serling, who came to Yellow
Springs to teach a writing course at his Alma Mater, Antioch College,
helped her sell her first script to BONANZA in 1964. During the next eight
years, she supplied BONANZA with material regularly. By the time the
series ceased production in 1972, BONANZA had accepted 13 Clauser scripts
and produced 11.
Her first novel, A GIRL NAMED SOONER, was published by Doubleday and
Company in 1972. It was well received and Mrs. Clauser was soon at work on
its adaption to a full-length television movie. SOONER was shot on
location in a small Southern Indiana town and aired in June of 1975. It
received very high ratings as well as endorsements from the National
Educational Association and the National Council of Churches.
Mrs. Clauser has written several highly regarded, full-length plays
including PIONEER WOMAN (1974), THE FAMILY NOBODY WANTED (1974), GRANDPA
AND FRANK (1977), a four-hour adaption of Alcott's LITTLE WOMEN (1978),
and THE PRIDE OF JESSE HALLAM (1981), a story about adult functional
illiterates which won an award for the best original television play for
1981. Clausen's CHRISTMAS SNOW aired in December of 1986 and was named
best children's program at the 1987 Golden Gate Awards.
SCOPE AND CONTENT
The papers within the Suzanne Clauser collection fall into six series
or record groupings. The arrangement within the files is
chronological.
Series I contains handwritten and typed drafts, correspondence
and final published copies of two of Mrs. Clauser's early pieces, "The
Green Key," a short story, and "Indian Ghosts," a travel reminiscence.
Also included, are several drafts of an unpublished short story, "The
Gift." Dates for this series are 1961 1962.
The BONANZA material in Series II covers the years 1962 1972 and
contains correspondence and drafts for 9 of the 13 scripts Mrs. Clauser
sold to the BONANZA television series. The correspondence is mainly with
the BONANZA production staff and covers business matters, script revisions
and various story ideas. The scripts in this series show an evolution
through drafts and revisions to the "shooting final" copy.
Series III contains material pertaining to the novel, A GIRL
NAMED SOONER and the television play of the same name. There is
correspondence with publishers, Mrs. Clauser's literary agents, and
television producers, as well as drafts and revisions of both the novel
and screenplay. There is a copy of the published novel and a German
language edition. Span dates for this series are 1968 1980.
Series IV contains drafts, revisions and "shooting finals" of
full length Clauser screenplays, most of which have been produced for
television. Two of the plays, PIONEER WOMAN and LITTLE WOMEN, also contain
a prospectus for their expansion into a weekly series. Some plays
represented in this series have their accompanying correspondence covering
revisions, logistics of shooting, and various business matters. The
material in this series covers the years 1973 1993.
The general correspondence in Series V is mostly with Mrs.
Clauser's literary agents in New York and Hollywood and pertains to
whatever writing project she was at work on at the time. The
correspondence dates from 1963 1979.
Series VI, Miscellaneous Material, has biographical and
professional data, a file of newspaper and magazine clippings, and a copy
of NIGHT SONG by the late Constance Sontag, for which Mrs. Clauser wrote
the foreword.
BOX AND FOLDER LISTING
Series I: Early Work
| Box |
File |
Description |
Date |
| 1 |
1 |
"The Gift," short
story |
1961 |
|
2 |
"Indian Ghosts,"
travel reminiscence |
1961-1962 |
|
3 |
"The Green Key,"
short story |
1961-62 |
Series II: BONANZA
Material
| 1 |
4 |
"Woman of Fire" |
1964 |
|
5 |
BONANZA
Correspondence |
1962-72 |
|
6 |
"Devil On Her
Shoulder" |
1965 |
|
7 |
"A Natural
Wizard" |
1966 |
|
8 |
"Same Pines,
Different Wind" |
1968 |
|
9 |
"What's Past is
Prologue" |
1968 |
|
10 |
"The Trouble with
Amy" |
1969 |
| 2 |
1 |
"The Stillness
Within" |
1970 |
|
2 |
"The Stillness
Within" |
1970 |
|
3 |
"A Single
Pilgrim" |
1970 |
|
4 |
"A Single
Pilgrim" |
1970 |
|
5 |
"Second Sight" |
1971 |
|
6 |
"Tristy" |
1969 |
|
7 |
"A Girl from
Boston" |
1972 |
|
8 |
"A Girl from
Boston" |
1972 |
Series III: A GIRL
NAMED SOONER- Novel and Screenplay
| 3 |
1 |
A GIRL NAMED
SOONER |
1972 |
|
2 |
EIN MADCHEN NAMEN
SOONER, German ed. |
1976 |
|
3 |
Correspondence-
Novel |
1968-80 |
|
4 |
Typed Copy of Novel
as Accepted After First Major Revision, pp. 1-133 |
1971 |
|
5 |
Typed Copy of Novel
As Accepted After First Major Revision, pp. 134-end |
1971 |
|
6 |
Correspondence-
Screenplay |
1973-79 |
|
7 |
First Draft of
Screenplay |
Nov. 1973 |
|
8 |
Shooting Final of
Screenplay |
May
1974 |
Series IV:
Television Screenplays Subseries 1: PIONEER WOMAN
| 4 |
1 |
Correspondence |
1973 |
|
2 |
Draft |
Aug. 1973 |
|
3 |
Final draft and
revision |
Aug.-Oct. 1973 |
|
4 |
Prospectus for a
television series |
1974 |
|
5 |
Treatment for a
television movie |
1973 |
Series IV:
Television Screenplays Subseries 2: THE FAMILY NOBODY WANTED
| 4 |
6 |
Correspondence |
1974-75 |
|
7 |
Final draft and
revisions |
Dec.
1979 |
Series IV:
Television Screenplays Subseries 3: GRANDPA AND FRANK
| 4 |
8 |
Correspondence |
1976-77 |
|
9 |
Final draft and
revisions |
July
1977 |
Series IV:
Television Screenplays Subseries 4: LITTLE WOMEN
| 4 |
10 |
Correspondence |
1977-79 |
|
11 |
5-hour treatment for
television |
1977 |
|
12 |
Presentation for a
1-hour weekly series |
1978 |
|
13 |
Parts III, IV and
V |
Sept. 1979 |
| 5 |
1 |
Parts I through V |
Dec. 1977 |
|
2 |
Parts I and II |
Jan. 1978 |
|
3 |
Part I |
Mar. 1978 |
|
4 |
Part II |
Mar. 1978 |
|
5 |
"A Little Box of
Haunts" |
Jan. 1979 |
|
6 |
"If You Can't
Forget, Forgive a Little" |
Jan. 1979 |
| 6 |
1 |
"Death of a Dream" -
episode 8 |
ca. 1979 |
|
2 |
"Escapade in Boston"
labeled "#8" |
ca. 1979 |
|
3 |
"A Flight of Dreams"
episode 9 |
ca. 1979 |
|
4 |
"Episode 10 (no
title)" |
ca. 1979 |
|
5 |
"A Week to Remember"
- draft |
Jan. 1979 |
|
6 |
"A Week to Remember"
- draft |
Feb.
1979 |
Series IV:
Television Screenplays Subseries 5: THE PRIDE OF JESSE HALLAM
| 6 |
7 |
Correspondence |
1979-81 |
| 7 |
1 |
Notes and character
sketches |
n.d. |
|
2 |
Draft |
Nov. 1979 |
|
3 |
Draft |
n.d. |
|
4 |
second draft - "Old
Santiago and Me" |
Mar. 1980 |
|
5 |
Second draft - "The
Testing of Jesse Hallam" |
Mar. 1980 |
|
6 |
Draft - "Hard
Words" |
Apr. 1980 |
|
7 |
Revisions |
Apr. 1980 |
| 8 |
1 |
Draft - "Hard
Words" |
Apr. 1980 |
|
2 |
Draft |
Aug. 1980 |
|
3 |
Final shooting
draft |
Sept.
1980 |
Series IV:
Television Screenplays Subseries 6: JOURNEY TO TOPAZ
| 8 |
4 |
Sources |
1962-75 |
|
5 |
Correspondence |
1974-75 |
|
6 |
Second draft |
Aug.
1974 |
Series IV:
Television Screenplays Subseries 7: EXECUTIVE ORDER
| 8 |
7 |
Notes |
1975 |
|
8 |
Narrative
Outlines |
1975 |
|
9 |
Narratives |
1975 |
|
10 |
First draft -
working copy |
1975 |
| 9 |
1 |
Revised first draft
with transcription of FDR speech |
1975 |
|
2 |
Second draft |
1975 |
Series IV:
Television Screenplays Subseries 8: 24 McFALL
| 9 |
3 |
Sources |
1975 |
|
4 |
Correspondence |
1975 |
|
5 |
Notes and sketches:
"619 McFall" |
1975 |
|
6 |
First draft |
Oct. 1975 |
|
7 |
Second draft |
Nov. 1975 |
|
8 |
Pilot |
Nov. 1975 |
|
|
|
|
Series IV:
Television Screenplays Subseries 9: HARPER'S FERRY
| 9 |
9 |
Sources and
correspondence |
1977 |
| 10 |
1 |
First draft and
revisions |
Nov. 1977 |
|
2 |
Second draft |
1978 |
|
3 |
Second draft |
1978 |
Series IV:
Television Screenplays Subseries 10: SUZANNAH AND EM
| 10 |
4 |
Correspondence |
1978 |
|
5 |
First draft |
Feb.
1978 |
Series IV:
Television Screenplays Subseries 11: FIRST DO NO HARM
| 10 |
6 |
Sources |
1968-78 |
|
7 |
Correspondence |
1978 |
|
8 |
Notes |
1978 |
|
9 |
Treatment / Step
Outline |
June 1978 |
|
10 |
First draft |
Aug. 1978 |
| 11 |
1 |
Second draft |
Oct. 1978 |
|
2 |
Third draft |
Jan. 1979 |
|
6 |
Final draft |
Feb.
1979 |
Series IV:
Television Screenplays Subseries 12: RI
| 11 |
4 |
Outline |
1979 |
|
5 |
Correspondence |
1979 |
|
6 |
Treatment |
1979 |
|
7 |
First draft |
July 1979 |
|
8 |
Second draft |
1979 |
Series IV:
Television Screenplays Subseries 13: CHILDREN OF AN LAC
| 11 |
9 |
Correspondence |
1980 |
|
10 |
Treatment |
1980 |
|
11 |
Revised draft |
Jan.
1980 |
Series IV:
Television Screenplays Subseries 14: AN UMMARRIED MAN
| 12 |
1 |
Correspondence |
1980 |
|
2 |
First draft |
Nov.
1980 |
Series IV:
Television Screenplays Subseries 15: COUNTRY ROADS, "LUCILLE"
| 12 |
3 |
Rough draft
discards |
1981 |
|
4 |
First draft |
May 1981 |
|
5 |
Second draft |
1981 |
Series IV:
Television Screenplays Subseries 16: CALAMITY JANE: HER OWN
STORY
| 12 |
6 |
Treatment and
revisions |
April 1982 |
|
7 |
Early draft |
1982 |
|
8 |
Early draft |
1982 |
|
9 |
First draft |
1982 |
| 13 |
1 |
Second draft |
Oct. 1982 |
|
2 |
Draft polishes |
1982 |
|
3 |
Final draft |
Apr. 1983 |
|
4 |
Final draft |
Apr. 1983 |
|
5 |
Final draft |
May 1983 |
|
6 |
Final draft |
May 1983 |
|
7 |
Final draft |
May 1983 |
|
Series IV:
Television Screenplays Subseries 17: THE SOONG SISTERS
| 13 |
8 |
Second draft, pages
1-70 |
Oct. 1984 |
|
9 |
Second draft, pages
71- |
Oct.
1984 |
Series IV:
Television Screenplays Subseries 18: THE SOONG SISTERS
| 14 |
1 |
Screenplay |
1986 |
Series IV:
Television Screenplays Subseries 19: CHRISTMAS SNOW
| 14 |
2 |
Second draft |
July 1986 |
|
3 |
Production draft |
Oct.
1986 |
Series IV:
Television Screenplays Subseries 20: FROM VIETNAM WITH LOVE
| 14 |
4 |
Second draft, part
1 |
Oct. 1988 |
|
5 |
Second draft, part
2 |
Oct.
1988 |
Series IV:
Television Screenplays Subseries 21: HEAVEN AND HELL
| 14 |
6 |
Part 1 |
June 1993 |
|
7 |
Part 2 |
June 1993 |
|
8 |
Part 3 |
June
1993 |
Series IV:
Television Screenplays Subseries 22: DANIELLE STEEL'S MESSAGE
FROM 'NAM
| 14 |
9 |
Third revision, part
1 |
June 11, 1993 |
|
10 |
Third revision, part
2 |
June 15,
1993 |
Series V: General
Correspondence
| 15 |
1 |
Correspondence |
1963-67 |
|
2 |
Correspondence |
1968-79 |
Series V:
Miscellaneous
| 15 |
3 |
Biographical and
Professional Data |
n.d. |
|
4 |
Newspaper
Clippings |
1971-93 |
|
5 |
Other publicity |
1972-81 |
|
6 |
Night Song by
Constance Sontag |
1976 |
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